Friday, April 23, 2010

Michael Klein: THREE POEMS

THE GIFT OF PROPHESY

You’ll remember a trip south;
the woman you went to live with for awhile;
the woman you told cancer
when you didn’t have cancer.  You said
you were dying of the current dying
because you didn’t know how else it could all be taken:  what nobody
can say:  I am living of something.


MY BROTHER

What’s wrong with that?
I want to say to anyone
who doesn’t believe sometimes
he comes back inside the language
a book is talking in or more demonstrably in my yellow cat:  Cyrus
who stays on the bed when I am leaving, as if the slightest
move of fur would let my brother out.

How can possession know how much space

it takes up in a body smaller than the one where it started – when it was called

living?


WASHING THE CORPSE

After he was dead we washed his body. 
Nick and Michael and I stood in Billy’s hospital room
and after whatever it was (his spirit looking for the door?)
stopped making the room vibrate and lighten and become heavy again
we took the washcloth or whatever it was – something from the hospital, something rising
hotly out of a silver basin – and started at his feet
and worked our way up the body that was only his body on the bed.

And the women that had been in the room
while the spirit was directing the air
had left the room so that it was now only men
only us doing the last thing that would ever be done to Billy’s body.
We were making Billy new. 
We were making Billy what was over.


 Copyright © 2010 by Michael Klein

Monday, April 19, 2010

Emanuel Xavier: WHAT I NEVER TOLD YOU ABOUT PROSTITUTION


That my mentor was Jay, an HIV-positive hustler,
known for his big, uncut Puerto Rican dick
featured with a sense of humor in his tight Speedo’s
who looked out for me and loved me like a kid brother

That I used to get picked up regularly by a pedophile
who would drive me around in his car
sharing stories about how he fucked his daughters
Never asking me to do anything
just listen while he parked and jerked off

That I would sometimes sleep underneath these cars
at the West Side Highway piers when it rained
using a tee shirt I bought with my first hustler money
with an image of Dorothy in New York City saying,
“Toto, I don’t think we’re in Kansas anymore!”
as a bundled up pillow to rest my head and dream on

That a married, closeted man with children
turned to cry and wouldn’t let me touch him
as he stood with his back to me in his underwear
making me feel disgusting about myself

That a trick once peed in my mouth
and made me swallow
before making me lick his boots
and held me tenderly in his arms all night

That an older man with a huge cock
(then again, I was sixteen so they were all older)
fucked me bareback in a tiny booth at a bookstore—
left me sore and bleeding with hemorrhoids
unable to get it up the ass and hustle for weeks

That I once picked up a trick
who thought he was a vampire
bit my cheeks, tore into the skin until they bled
and sent me back to the piers—bruised and swollen
forced to wear bandages with no health insurance
went back to visit my mother on Mother’s Day
told her I had been jumped and broke her heart

That once, in ’88, a stoned black man
stood staring at me early one morning for hours
never approaching me with the sorrow in his eyes
Days later, his picture all over newspaper covers—
he had been Jean-Michel Basquiat, a famous artist
who speed-balled to death

That sometimes I actually fell for these men
imagined them being my savior
with nothing more than a comfortable bed to sleep in,
a good breakfast in the morning, a grateful smile
and a few dead Presidents in my pocket

That these were my fucked up formative years
and these men stood in for my father figures

I propose a toast to every single one of them
because none of us ever imagined
that I would be writing about them someday
full of love, life and laughter



Copyright © 2010 by Emanuel Xavier

Saturday, April 17, 2010

Clifton Snider: THE BLOND


Can't remember his name,
a slim, tall blond
I used to admire on the beach
at 8th Place.
                     Admire?
Lust after & resent for not even looking back,
back in the hormonal ‘70s,
the gay beach a brew of oiled bodies.

Then the ‘80s, and the plague,
a scene at the butch bar
in North Long Beach. He'd lost
lots of hair, gained a shrunken face.
His lover was dead & he
was going home to die
somewhere in the Midwest.

Why did he talk to me?
I was the only person he recognized,
this itself a wounded surprise.
He wanted to say good-bye to someone,
to bid farewell to the life he'd had.
I obliged and learned his name,
evaporated now like unnumbered others
I knew and did not know.
           

Copyright © 2010 by Clifton Snider

Friday, April 16, 2010

Michael Lassell: THE DAY GEORGE HARRISON DIED

Grey is the daughter of grieving and whey, which is why it's spelled (contrary to Webster) in the English manner —
with a vowel as empathic as mercy or ease:

Exxon, elephant, elegant/ e-mail, entering, earnestly, eggs.


Grey smells like the smoke off the low-tide Thames,
tastes like riverbanks curdling in an acrid urban breeze,
(the fetid sound of a brackish backwater).

The mud larks will be picking tears out of the mire with their cod heads and penny pieces.

Remember the time by Lake Moraine when a boy whose name
is frequently forgotten — was it David, and something Anglo-Saxon? —
smoked dope and curled in my arms for hours, his granny glasses
clouded over with our shared heat (the misted eyes of a wiser owl who
bids adieu to common knowledge)? —

unless it was a Mersey's idle dream:

dahlia, difficult, dominoes/ dik-dik, diptych, dipstick, dregs.

Some nights there's nothing on cable,
not even the BBC, for which you are paying mucho dinero.
For you, the red, white and blue will always be British:
Bobby blue, hoarfrost white on the morning fields of
Stratford one Thanksgiving Thursday in your youth,
and red phone boxes — or Twizzlers as you wait for a movie
you don't want to see while soggy strangers munch popcorn:

pumping, petticoat, platypus/ primavera, panoply, pegs.

It's because you haven't got a thing to wear
that your peppers failed to germinate;
you can taste your tongue and it's zincky, sour.

"Don't make me take you to church, young man!"
the turbaned Caribbean TV psychic warns.
Her voice is fruity, flutelike, bloated on the fumes of something fishy.

The embrace of leather and absence is that
of a father whose love is late and suspect:
it's as warm as November and as awkward.

I went up to him, once, just pulled his arm and said
"I love you," and he smiled at me, so I kissed his glamorous brocade:

broken, baklava, Benjamin/ bluebottle, blushing, Boston, begs.


(Wee Mickey were the only one who got to call him Geordie.)

Oh, yes, there will be bad hair days to come. Fat days.
Endless afternoons when you haven't got a book to read or
a friend who isn't out of town on some fabulous vacation.
It will be August all year long, insufferable, ad infinitum.

Once again the brutal dove of peace has come to rest
on your frail broad shoulder, and you want to pull the weeping sheets
up to your grizzled chin, hitting the snooze button over and over again
until a sodden supper of takeout sesame chicken:

chuckling, canopy, kaffeeklatsch/ Caspian, canticle, kaffiyeh, kegs.


Not knowing him was the way he loved me.

"Verloren ist das Schlüsselein,"

the unsurprisingly dour day drawls in all
the colors of London's lost Victorian fog.
"Forgotten is the little key," you think to your earlier self,
chilled to the wishbone in the after-opera Berlin snow.

"How can you possibly be bored with all
those toys in your room?"
is the echo
choking back from my childhood like
an oily bog that double-troubles up
the clogging pipes of my unscoured sink.

But that's not how you felt, or feel even now, unless
they mean some other kind of bored, like drilled or chewed,
as if you are a bower of trees in the Indonesian
summer, now riddled with the snaking borrows
carved by ravenous maggots (the way you exhausted
would-be lovers with a hunger of your own), and the burly trees are
about to fall, prey to steaming slow disintegration,
fading from proud ebony — erect above the canopy — to ovoid oblivion
crashing in a cloud of ash or slate or charcoal grey no one will hear.

Yet saffron, rarest spice of all, is found in the common crocus flower,
ground from its viscous gold stigmata, where pollen falls to germinate
like dust motes in a shaft of sun on sated lovers' tangled legs.



Copyright © 2010 by Michael Lassell. All rights reserved.